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  1. Home
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  5. Station Model Violence
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Description

There is a scene in the BBC Krautrock documentary that made a great impression on me. Iggy Pop sits spread eagle in some beachside location drilling holes in coconuts and ruminating on the sound of Neu. The clash of the visual spectacle and the subject matter infected my dreams. At one point he describes Neu as "pastoral psychedelicism". I thought of that moment when Buz first played me the demo for the song which would become 'Heat', when first he asked me to play music with him. I heard it, smelled the fresh coconut juice and the sour sweat on Iggy's leathery hide. I knew that we would do it right. I moved to Sydney at the end of 2022. It was toward the end of two years of Melbourne lockdown that started in the immediate wake of the Total Control tour of Japan at the end of 2019 and was the longest time in 20 years that I had not travelled overseas or played music. After moving to Sydney I had an overwhelming need to start a new band and sing again. Total Control and Straightjacket Nation would be difficult to gather any momentum with my living interstate, and also I wanted to settle here and start something new and try and obliterate some of the stasis that entered my veins from the lockdown. Low Life asked me to play a solo show with Iceage at the opera house, but I had no ambitions for solo performance and had no songs, so I formed a band called KX Aminal with Greta, Michael and Micky from Den, and Josh from Diat. KX Aminal are an important part of the Station Model Violence story. When we were writing songs for KX Aminal, Josh and Greta and I were drunk on fine chablis and playing a guitar line that sounded very much like Crisis, and Josh turned to me and looked me in the eye and mumbled "it smells like Kwisis". Later Buz acknowledged this was something he would always want to hear when writing songs with a band, and on this point it was destined. We would write songs together to smell like Kwisis. Anyway, KX Aminal went into stasis and I got the itch again. Buz had written a few demos that didn't work as R.M.F.C. songs and he asked me to have a listen to hear if I could sing something on it, and over the winter of 2024 I visited his home studio and we recorded some vocal ideas with his demos. We released a demo for 'Learn To Hate' "recorded after eating mushrooms on fabulous winter evening" and formed a lineup for a one off show in late 2024 with Micky (Den), Yuta (The Lewers) and Georgia (G2g). This was the final Idiota Civilisaaaztatatanini show, so a nice loop back with Josh who is my spiritual aminal and guide. After this show, Yuta and Georgia left, and Michael (Den), Alan (R.M.F.C.) and Kuceli (Gaud) joined. Seeing as Micky, Michael, Kuceli and I played in KX Aminal and we never got to record those songs, we decided to absorb some of them into Station Model Violence. We combined some of those KX songs with the demos Buz wrote and wrote a couple of new songs together and played a couple of shows, and then recorded an LP with Mikey in Melbourne and Micky in Sydney at the start of 2025. The album was mixed over the course of the year as we had created this incredibly dense beast and much credit is due to the patience and persistence of Mikey Young. This is the first single, 'Heat'. Revisit that image of the coconuts and the drill and pastoral psychedelicism and the smell of KWISIS. DX, Summer 2026

NEW Vinyl

Station Model Violence

Station Model Violence

Antifade Records
2026 debut LP from the Sydney post punk collective featuring former & current members of Total Control, RMFC and Den. Anti Fade Records black vinyl press.

$40.00
Sold out. Let us know you’re interested.

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Pressing Info

Artist: Station Model Violence
Label: Antifade Records
Format:Vinyl , 1LP
Country: Australia
Genre:Punk
Cat No. ANT-105
Year: 2026
Decade: 2020s
Beatdisc SKU: 269382

Condition Info

Cover Condition: NEW
Media Condition: NEW

Beatdisc Grading Guide

New (NEW)
Media
: Brand new and never played.
Sleeve: Brand new and direct from the supplier, usually sealed.
 
Mint Minus (M-)
Media
: Like new, may have been handled but will appear unplayed and have no imperfections during playback.
Sleeve: Unsealed and opened but will appear like new.
 
Excellent (EX)
Media: Usually the highest grade we use for 2nd hand items. The CD/LP may be played and have minor visual blemishes but there will be little to no audible surface noise.
Sleeve: No major visual blemishes. Jacket/booklet will be free of ring-wear, creases or bends but may have light shelf-wear.
 
Very Good Plus (VG+)
Media: The most common grading for our 2nd hand items. The CD/LP may have visual blemishes (which could cause light surface noise on LPs) but will never overpower the music and usually only be audible in-between tracks or in quieter passages.
Sleeve: May have some light ring-wear or visible creases, but will be free of major damage and have no rips, tears etc.
 
Very Good (VG)
Media: Many of the defects found in a VG+ item will be more pronounced when the condition is VG. Surface noise and pops will be more audible on LPs, but there will still be no major audio defects or skips. CDs may have more noticeable visual marks but won't skip or affect playback.
Sleeve: More prominent ring-wear and creasing may be visible, along with possible seam splits, corner wear or booklet creasing. There will still be no major rips or tears but will generally be of a more pronounced “used” appearance.
 
Good (G)
Media: A record in Good condition can be put onto a turntable and will play through without skipping, but it will have significant surface noise, scratches and visible groove wear. CDs in Good condition will have visual markings and may skip.
Sleeve: Strong ring-wear, seam splits, bends/creases, writing or other defects are likely to appear. 
 
Fair (F)
Media: The bare minimum for a playable CD/LP. For vinyl, there will be pronounced surface noise and scratches, as well as the likelihood of small skips or jumps throughout playback. CDs will likely have major visual markings and more pronounced skips or jumps.
Sleeve: Many of the same defects as a sleeve or jacket in Good condition, but these will be more pronounced and start to overwhelm the object. Seams may be coming apart and small rips or tears may appear.
 
Poor (P)
Media: We rarely put out records in Poor condition unless they’re particularly sought-after. The LP will have significant scratching, warping or damage and is unlikely to be fully played.
Sleeve: A jacket in Poor condition will have large tears or rips, may be mouldy or water-damaged and seams will likely be split or completely separated.
 

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Description

There is a scene in the BBC Krautrock documentary that made a great impression on me. Iggy Pop sits spread eagle in some beachside location drilling holes in coconuts and ruminating on the sound of Neu. The clash of the visual spectacle and the subject matter infected my dreams. At one point he describes Neu as "pastoral psychedelicism". I thought of that moment when Buz first played me the demo for the song which would become 'Heat', when first he asked me to play music with him. I heard it, smelled the fresh coconut juice and the sour sweat on Iggy's leathery hide. I knew that we would do it right. I moved to Sydney at the end of 2022. It was toward the end of two years of Melbourne lockdown that started in the immediate wake of the Total Control tour of Japan at the end of 2019 and was the longest time in 20 years that I had not travelled overseas or played music. After moving to Sydney I had an overwhelming need to start a new band and sing again. Total Control and Straightjacket Nation would be difficult to gather any momentum with my living interstate, and also I wanted to settle here and start something new and try and obliterate some of the stasis that entered my veins from the lockdown. Low Life asked me to play a solo show with Iceage at the opera house, but I had no ambitions for solo performance and had no songs, so I formed a band called KX Aminal with Greta, Michael and Micky from Den, and Josh from Diat. KX Aminal are an important part of the Station Model Violence story. When we were writing songs for KX Aminal, Josh and Greta and I were drunk on fine chablis and playing a guitar line that sounded very much like Crisis, and Josh turned to me and looked me in the eye and mumbled "it smells like Kwisis". Later Buz acknowledged this was something he would always want to hear when writing songs with a band, and on this point it was destined. We would write songs together to smell like Kwisis. Anyway, KX Aminal went into stasis and I got the itch again. Buz had written a few demos that didn't work as R.M.F.C. songs and he asked me to have a listen to hear if I could sing something on it, and over the winter of 2024 I visited his home studio and we recorded some vocal ideas with his demos. We released a demo for 'Learn To Hate' "recorded after eating mushrooms on fabulous winter evening" and formed a lineup for a one off show in late 2024 with Micky (Den), Yuta (The Lewers) and Georgia (G2g). This was the final Idiota Civilisaaaztatatanini show, so a nice loop back with Josh who is my spiritual aminal and guide. After this show, Yuta and Georgia left, and Michael (Den), Alan (R.M.F.C.) and Kuceli (Gaud) joined. Seeing as Micky, Michael, Kuceli and I played in KX Aminal and we never got to record those songs, we decided to absorb some of them into Station Model Violence. We combined some of those KX songs with the demos Buz wrote and wrote a couple of new songs together and played a couple of shows, and then recorded an LP with Mikey in Melbourne and Micky in Sydney at the start of 2025. The album was mixed over the course of the year as we had created this incredibly dense beast and much credit is due to the patience and persistence of Mikey Young. This is the first single, 'Heat'. Revisit that image of the coconuts and the drill and pastoral psychedelicism and the smell of KWISIS. DX, Summer 2026

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